Porcelain Technical Page
Koschetzki
Ceramic
Artists .com
Perhaps the most significant development in the history of ceramic art was the production of porcelain in ancient China. This product did not evolve suddenly but was a gradual refinement of stoneware over several centuries. Porcelain is characterized by a translucent, non porous and vitrified quality whereby the clay-glaze interface cannot be discerned.  High temperatures are required to achieve these qualities.
In the ensuing centuries porcelain production spread very slowly to the rest of the world and several factors may have been responsible for this, the primary being the high firing temperatures required. These temperatures require the use of special kilns and raw materials. It was in the 18 century that the technological advances in firing and material science made the production of porcelain possible in Europe. 
Our porcelain production started in 1972. The porcelain clay body, engobes and glazes used at our studio are specifically formulated to enable the construction and firing of unique handmade pieces while maintaining the integrity of high-fired porcelain.  
The white clay used in our formula is primarily composed of English Grolleg, a fine kaolin of high purity, being close to the chemical ideal for kaolin.
We add silica and the fluxing agents’ sodium and potassium.  At high temperatures these elements decompose and recombine into a totally new material, crystalline in structure yet possessing a hard glassy stone like character, porcelain.
The glaze is composed largely of the same materials as the clay body: silica, alumina, sodium and potassium, to which additional fluxing agents have been added, borax and calcium. 
Metallic oxides are used as colorants. The sculpture and pottery is fired at over 2,300 degrees Fahrenheit.
To guarantee a degree of physical and chemical equilibrium special attention is given to matching the thermal expansion of the fired clay and glaze.  
Our twenty-four hour firings are labor intensive requiring meticulous attention to detail from temperature rise per hour to cooling.   
At the end of a porcelain kiln firing, the door is opened at approximately 2300 F, and by quickly cooling the glaze the formation of calcium borate crystals is avoided, then at 1400 F the door is again closed to facilitate a slow cool finish.  This ensures a clear glaze and bright colors.
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c Koschitzki
c Koschetzki